Rod Taylor - Ethiopian Kings 7″

Archive 7″ 2008

Finally re-released on the Archive reissue label, Rod Taylor’s “Ethiopian Kings” is a roots anthem from the second half of the 70s, when rasta roots was at it’s peak. Originally released on Freedom Sounds, the song affirms that all the Kings mentioned in the bible - King David, King Solomon, King Moses.. were all black men from Africa, prophets that tried to show the light to the people but are not remembered as they should. Rod Taylor’s falsetto voice is plaintive and heartfelt , combined with a militant and carefully instrumented rhythm track, which has even got a middle eight with a wah wah’ed rhythm guitar solo, that brings another interest to the tune. Side B is a dub by the mighty King Tubby at his best, which, needless to say, is absolutely essential – a masterpiece of dub.

Prince Malachi - One Perfect Love CD

Blakamix 2008

Prince Malachi has been getting good attention recently from UK producers, and his new album One Perfect Love released on Blakamix has given the Bradford based producer Dennis “Mixman” Bedeau an excellent varied album. The album starts and ends with a nyabinghi chant – strictly drumming and harmonized voices - setting a the mood for the album which ventures away from sticking solely to the usual steppers style associated to the label. Prince Malachi, as a roots messenger, sings reality and culture on a variety of riddims ranging from 4/4 roots on the title track and “Burning” (also available as a 10”), to one drops such as Protect Your Home, or the excellent Fire chant which sounds like an Xterminator production. The singer’s characteristic smooth voice – a mix between Luciano and Michael Rose - makes One Perfect Love a lovely listen, even if you are not a UK dub fan.

MAKKA BEES - Nation Fiddler 7″

Congo 7″ (CO 1) 1977

Makka Bees Label Little is known about this meditative roots song or it’s excellent dub version. The discrete background echoes of wah wah-ed up guitar, the soulful keyboards, the definitely-not-over the top harmonica, are backed up by a strong grove on the bass and a very rootsy plaintive singing. Almost like a chant. The melancholy flute end solo also adds to make it a very 70s UK sound. The obscure lyrics add to the mystery: “Nation fiddler, them a devil in disguise. Two fence (? Not sure) players, them a play with our lives? Fire, fire, fire ha…It a go burn them down” Another prophetic warning to all wicked men or a subtle political statement? Who knows its message? It dates from 1977, on the Congo label (CO 1) . Most comments I have seen on it seem to agree that despite similarities with Perry productions,¹ the general sound and vibe feel UK rather than JA, which would seem to be supported by the appearance of the 7” and its label.

The origins of this tune are often blurred, as it appeared on a Trojan compilation (as a bonus song on the CD edition) called Step Softly in 1988, in which most productions were credited to Derrick Harriot. It’s curious how it should land in this compilation as it would seem it had nothing to do with the Jamaican producer.

Thanks to posts on the Blood and Fire forum I have learnt that apparently, Makka Bees where an outfit from the Kensal Rise (Kensal Green) area in London and the song got a review in Black Echoes at the time, but did not sell well. The Congo label was run by Byron Lye-Fook, a reggae drummer (part of Makka Bees?) and father of the Soul singer Omar. The label doesn’t appear to have put out much material (check Tapir’s Reggae Discographies ). Apparently a guy turned up to Flash Forward² record shop in Camden and others in the mid nineties with a few boxes of the Makka Bees 7”. Hmmm wouldn’t you like to have been there…

¹ The version of the song Black Tracks, credited to Native, is a Lee Perry production from 1977 (recently reissued by Pressure Sounds) and has been compared to the sound of Nation Fiddler.

²check Jah Warrior interview for anecdotes on Flash Forward

PRINCE MALACHI - Revolution 10″

Dubsicarus 10″

Hailing from London, the Dubsicarius label has just released two tens featuring Prince Malachi on vocals. One of these is “Revolution”, a minimalist one drop digital dub which comes as a breath of fresh air in the midst of the steppers tunes that have been coming out of the UK recently.

Three dubs are included on the record, including a horn cut, a riddim and a stripped down version, using some old school space lazer sounds and a super-compressed snare which could have been used on a dubstep piece. Prince Malachi’s vocal cut is truly soulful and righteous, and Russ D’s mastering skills confirms the quality control.

More info: www.myspace.com/dubsicarius

FOUNDATION SOUND - Hard Drop Riddim 10″

FOUNDATION SOUND 10″ (FS10_001)

Hard DropBased in Norwich, UK, Foundation Sound was first established by Tony Roots in the 90’s, and has been promoting many dances since, collaborating with many artists out of the UK and Jamaica. Their first studio release “Hard Drop Riddim” is a strong kickoff for the label has vocal cuts by Dark Angel, Ras Zaccharri and Jah Ruben, and Mikey Murka, as well as a dub, all produced by Spectacular and mixed by Manasseh who’s influence is evident.

Hard Drop riddim

As the name indicates, this is a One Drop riddim with the tuffness of the UK style rolling bassline, smooth horns and modern vocals, which bring back memories of the “Stormy Weathers” riddim last year. Dark Angel’s gruff singjaying advertises the virtues of herbal “medication in moderation”, Jah Ruben and Ras Zacchari combine to tell the youths to leave badness alone, and Mikey Murka comments on how thieves perpetuate suffering in Robberman.

This is definitely the pick of the month as it combines the Jamaican and UK sounds, live instruments and digital dub - some nex generation business.

More info: www.foundationsound.net